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Whitman news since 1896

Whitman Wire

Vol. CLVII
Whitman news since 1896

Whitman Wire

Whitman news since 1896

Whitman Wire

"Disaster!" gives Whitties disco fever

“Disaster!” gives Whitties disco fever

Alexa Grechishkin, Campus Life Editor April 27, 2023

Whitman Musical Theater Project’s production of "Disaster!" transported audience members into a zany casino adventure that wove through the ensemble cast’s romances, secrets and fears. The musical...

Photo contributed by Harper Joy Theatre.

Studio Series sparks dialogue about dance

Alexa Grechishkin, Campus Life Editor December 8, 2022

Hosted during the first four days of December, this year’s Studio Series captured the natural connections between art, academics and activism. Rather than understanding dance as an art form that exists...

Photo contributed by Whitman Theatre Department.

Opening night of “bare” is here

Alexa Grechishkin, Campus Life Editor November 10, 2022

After five fast weeks of preparation, Whitman’s theater department is prepared for Thursday’s opening night of the musical “bare.” Written in 2000, the musical’s themes of self discovery,...

Theatre, Encounters Partner to Bring Texts to Life

Theatre, Encounters Partner to Bring Texts to Life

Lachlan Johnson March 13, 2014
Performances of William Shakespeare’s Hamlet were held March 5th to 9th in Harper Joy Theatre (HJT) as part of the collaboration between Whitman’s Theatre Department and the Encounters faculty. This is the second year HJT has incorporated a performance of one of the texts in the Encounters syllabus.
Kelsey Yuhara '10, Taneeka Hanson '11 and Anastasia Higham '11 haunt George Stanton '10 as the furies in the final act. Credit: Bullion

‘Orestia’ shines despite constraints

C.J. Wisler October 8, 2009
“The Oresteia" is a difficult play, not one to treat lightly. It is a complex play in its poetic literacy, story and social complications. The famous Greek trilogy-tragedy by Aeschylus follows the murder of Agamemnon by his wife Clytemnestra, her subsequent murder by her son Orestes (after whom the trilogy is named), and his trial. The original play is packed with murder, psychological torture, gender roles, personal vendetta and divine fatalism. It is a daunting task to direct in a compelling way for a modern audience.
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